Saturday, June 26, 2010
Tuesday, June 22, 2010
Silver
The sandals I stole from Kmart.
The lighter you used on the ivy,
the dumpster. The padlock on the
refrigerator after Sara's fight with
Mom. The polish Sara dabbed
on her nails, and Mom's seashells
in the top shelf basket. The pit bull's
collar as he dove against his chain, little
grunts, trying to get at us, our arms full
of oranges. Your hair, after she sprayed
it with sparkles for the fourth of July party.
The life guard's capped tooth as he lifted
you from the pool. The rings clotting your
fingers as they tapped and tapped. The sun
after you dared me to stare for a full minute,
the shining hole left in everything after.
The sandals I stole from Kmart.
The lighter you used on the ivy,
the dumpster. The padlock on the
refrigerator after Sara's fight with
Mom. The polish Sara dabbed
on her nails, and Mom's seashells
in the top shelf basket. The pit bull's
collar as he dove against his chain, little
grunts, trying to get at us, our arms full
of oranges. Your hair, after she sprayed
it with sparkles for the fourth of July party.
The life guard's capped tooth as he lifted
you from the pool. The rings clotting your
fingers as they tapped and tapped. The sun
after you dared me to stare for a full minute,
the shining hole left in everything after.
Monday, June 14, 2010
Like a Fat Gold Watch
ALL SUBMISSIONS ARE DUE JULY 15TH!!
submit to ceehamm@gmail.com
Like a Fat Gold Watch: I am collecting an anthology of poems and more that celebrate Sylvia Plath’s life and work, but do not fetishize her suicide and death. Please submit your poems about Sylvia Plath for an anthology to come out in Fall of 2011. All poems must be either a response to her work, or her life, with one caveat — they cannot be about death or suicide. Work will be looked at more favorably if it responds to, for example, The Bee Poems, rather than “Daddy” or “Lady Lazarus”. The book will be published through Fat Gold Watch Press. Authors will get reduced price copies.
Please send three to five poems as either an rtf or doc attachment. I cannot accept docx. For the subject heading, please write, Sylvia poems, your name. For the cover letter, please include a short bio — 150 words or less, and describe how your poems are a response to her work or life. If there’s a particular poem you are responding to, please tell me its name. Submissions are due July 15, 2010, and you should hear back by September 15. I am also considering essays, shorter than ten pages (double spaced), and black and white artwork.
The anthology will not be published if there is an insufficient amount of submissions.
Send submissions to: ceehamm@gmail.com.
ALL SUBMISSIONS ARE DUE JULY 15TH!!
submit to ceehamm@gmail.com
Like a Fat Gold Watch: I am collecting an anthology of poems and more that celebrate Sylvia Plath’s life and work, but do not fetishize her suicide and death. Please submit your poems about Sylvia Plath for an anthology to come out in Fall of 2011. All poems must be either a response to her work, or her life, with one caveat — they cannot be about death or suicide. Work will be looked at more favorably if it responds to, for example, The Bee Poems, rather than “Daddy” or “Lady Lazarus”. The book will be published through Fat Gold Watch Press. Authors will get reduced price copies.
Please send three to five poems as either an rtf or doc attachment. I cannot accept docx. For the subject heading, please write, Sylvia poems, your name. For the cover letter, please include a short bio — 150 words or less, and describe how your poems are a response to her work or life. If there’s a particular poem you are responding to, please tell me its name. Submissions are due July 15, 2010, and you should hear back by September 15. I am also considering essays, shorter than ten pages (double spaced), and black and white artwork.
The anthology will not be published if there is an insufficient amount of submissions.
Send submissions to: ceehamm@gmail.com.
Thursday, June 03, 2010
Ramona the Fallen
Crooked, rectangular eyes.
The stench of the horses
we knit ourselves to. Her ears
clotted with gold/diamond circles
she tugged until her scabs opened
their mouths. Hurling down her
shining silver pony, she broke
the fence with her collar-bone --
the poles banging together
with a sound like wooden bells.
Faint stars where she went into
herself with an exacto knife, a stapler:
I break everything to make it fit.
Crooked, rectangular eyes.
The stench of the horses
we knit ourselves to. Her ears
clotted with gold/diamond circles
she tugged until her scabs opened
their mouths. Hurling down her
shining silver pony, she broke
the fence with her collar-bone --
the poles banging together
with a sound like wooden bells.
Faint stars where she went into
herself with an exacto knife, a stapler:
I break everything to make it fit.
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