Dating a Drunk
the perpetual present tense and lists
kissing an ashtray
kissing a gin bottle
inserting a wet thumb into his neck,
its neck, getting stuck at the knuckle
give up
the idea of a cure,
the talking cure, the wincing cure,
the cure of rose bushes and long thorns
used for whipping, cold water, then hot
think of the physics, suction, vacuum,
gravity blood flow
spills necessarily climb up the headboard
small bodies are drawn
to large bodies of water
thirsty around midnight you open his
cupboards while he's sleeping, the spigot stuck
the cupboards of his lungs
a wheeze of old lacquer and small slow beetles
something knocking irregularly
against the back wall
at 2am you take out his organs,
try to clean them with paper towels
they curl and sigh in your palms
the different shapes that glass can take:
shards, shots, windows, globes, cups, pints,
bottles, the different shapes this argument can take
the old accident, the spine knocked along the concrete
motorcycle treads along his scalp
weaving feelers in the air, saturated
shoes on the wrong feet or in the wrong century
lips like a sloppy fist but still you
push less resistance to your fists
I'm not in this week,
he says as he looks at himself
in the mirror of your face, leave a message
you can smell him from the next room
the lights multiply and shout you enter his skin
through the cracks in his armpits
the color of bronze paint, dirty dishwater, hotel room carpets
drowned ship
full of old pocket knives, costume jewelry,
full of diet coke and whiskey, sour
Monday, April 14, 2008
Friday, April 11, 2008
Landscape at Night with Bed and Fire
Hair caught on my tongue, I sing into
your ear, my lips so quiet, so close,
they are signing with my breath the language
under kneecaps, under ribs, under fingernails.
The room shudders, a bedful of red snakes;
the room stills, a bedful of drowned plates.
Low murmurs from our palms, as if we
had throats in our wrists, and you drift towards
the ceiling, splayed, smoky, while the curtains
flutter and blacken, break into iridescent
loose sparks, spill out our window onto the dead
in lines out on the lawn, waiting to enter.
Hair caught on my tongue, I sing into
your ear, my lips so quiet, so close,
they are signing with my breath the language
under kneecaps, under ribs, under fingernails.
The room shudders, a bedful of red snakes;
the room stills, a bedful of drowned plates.
Low murmurs from our palms, as if we
had throats in our wrists, and you drift towards
the ceiling, splayed, smoky, while the curtains
flutter and blacken, break into iridescent
loose sparks, spill out our window onto the dead
in lines out on the lawn, waiting to enter.
Wednesday, April 09, 2008
Evidence of The Divine
the way a woman's hair feels
when it hangs over the seat
in front of you on the bus
the way the leaves taste
when you lean over the fence
of your neighbor's garden
and steal from the mint bush
the first time you see a girl's
naked calves on the subway
this spring
the way you can
tell your lover's dancing
in the other room when the door's closed,
the way the light shifts in patches: dark then bright
the way a woman's hair feels
when it hangs over the seat
in front of you on the bus
the way the leaves taste
when you lean over the fence
of your neighbor's garden
and steal from the mint bush
the first time you see a girl's
naked calves on the subway
this spring
the way you can
tell your lover's dancing
in the other room when the door's closed,
the way the light shifts in patches: dark then bright
Saturday, April 05, 2008
Obscenity: a User’s Manual
A blue gap-toothed comb.
My patent
leather heels, dark and vicious as mirrors.
Cabbage roses, faded, stretched.
The hem unraveling.
I attach
the leather cuffs reeking of
saddles and silverware to my bed posts.
After dark, the women with hands
tucked into short fur coats
clack up and down the street. They
carry the reflected light of neon
in their hair. It is your job, he says, to envy them.
In the store, the women’s faces
behind the counter. Very pale,
attempting to smile. Often they
are busy in one corner
holding an instrument
and explaining its use to a customer.
There might be a key somewhere. If
there is, I swallow it.
Stuttering, whispering. A small start when
the bell on the shop door tinkles.
I stuff
the contraption in the bottom
of my closet. It has a stinging
smell, like a lemon
rind held too close to your nose.
A spot on the center
of the chair cushion.
A tug on my earlobe with his teeth.
A row of recently cleaned slippers
by the bed.
The way he wants me to
talk while we’re at it,
to tell him things that happen on fishing ships
when the men have been
at sea a long time.
The fishscales, I say,
get caught in their beards.
A cup of old coffee,
reheated, red letters on the rim.
A blue gap-toothed comb.
My patent
leather heels, dark and vicious as mirrors.
Cabbage roses, faded, stretched.
The hem unraveling.
I attach
the leather cuffs reeking of
saddles and silverware to my bed posts.
After dark, the women with hands
tucked into short fur coats
clack up and down the street. They
carry the reflected light of neon
in their hair. It is your job, he says, to envy them.
In the store, the women’s faces
behind the counter. Very pale,
attempting to smile. Often they
are busy in one corner
holding an instrument
and explaining its use to a customer.
There might be a key somewhere. If
there is, I swallow it.
Stuttering, whispering. A small start when
the bell on the shop door tinkles.
I stuff
the contraption in the bottom
of my closet. It has a stinging
smell, like a lemon
rind held too close to your nose.
A spot on the center
of the chair cushion.
A tug on my earlobe with his teeth.
A row of recently cleaned slippers
by the bed.
The way he wants me to
talk while we’re at it,
to tell him things that happen on fishing ships
when the men have been
at sea a long time.
The fishscales, I say,
get caught in their beards.
A cup of old coffee,
reheated, red letters on the rim.
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