Wednesday, May 28, 2008
Tuesday, May 20, 2008
Saturday, May 17, 2008
Number 54, the Gesture
I lick your hands, your frequent,
your lily-scented hands, your gloves,
your dark gloves
the things they can do to eyes,
the things they do to my, my
stutter along the edge of this railing,
I fear your nearness, your near hands,
the face of your hands, your faceless hands,
your hat, your hat in your hands, one hat
in your hands, one hat on your head, sun in
your eyes, hands shading, the sun in
your hands, my heart in your hands,
the sun, the lily of your hands
I lick your hands, your frequent,
your lily-scented hands, your gloves,
your dark gloves
the things they can do to eyes,
the things they do to my, my
stutter along the edge of this railing,
I fear your nearness, your near hands,
the face of your hands, your faceless hands,
your hat, your hat in your hands, one hat
in your hands, one hat on your head, sun in
your eyes, hands shading, the sun in
your hands, my heart in your hands,
the sun, the lily of your hands
Wednesday, May 14, 2008
The Subtle Suitor
you lean over the boat's metal railing
and vomit the day's stale meal, canned
cherries, pickled oranges, the salmon
from another country, as you are distracted
I cut off your braid (a souvenir) then
offer you my elbow for support
we shuffle back to your cabin, you wiping
your mouth with your pink silk sleeve
as you recline on velvet pillows, I offer you
more brandy, this time I promise
the flames will not go out, fever sweat
coats your upper lip, I unbutton your shoes,
your skin grays like the sun, your eyelashes
lick upward, settle
what kind of woman lies so easily, I ask myself
your gold rings cold, small as bird hearts, in my palm
you lean over the boat's metal railing
and vomit the day's stale meal, canned
cherries, pickled oranges, the salmon
from another country, as you are distracted
I cut off your braid (a souvenir) then
offer you my elbow for support
we shuffle back to your cabin, you wiping
your mouth with your pink silk sleeve
as you recline on velvet pillows, I offer you
more brandy, this time I promise
the flames will not go out, fever sweat
coats your upper lip, I unbutton your shoes,
your skin grays like the sun, your eyelashes
lick upward, settle
what kind of woman lies so easily, I ask myself
your gold rings cold, small as bird hearts, in my palm
Monday, May 12, 2008
Her Water, Breaking
phlegm, icor and
sugar
thick waves of chocolate and gasoline
and electricity streams
from my tongue to your thumb
above our raft of cotton sponges, trees on their heads,
roots swirling,
passing, cracking, shivering,
shedding earth and worms
silver spoons and knives caught
in root joints, a squirrel skull
the little animals killed
and lied about
a velvet speculum
old wooden machines, still grinding underwater
the blue ribbons
our mother stole and tied to twigs
outside her abbey
in the heat,
our hair rises like wings
a doll's table
set with glitter and flames,
turning, dipping
your ivory handcuffs, scrimmed
with our mother's lost recipes
silk surgeon's scrubs
cinnamon scalpel
built for our bodies
phlegm, icor and
sugar
thick waves of chocolate and gasoline
and electricity streams
from my tongue to your thumb
above our raft of cotton sponges, trees on their heads,
roots swirling,
passing, cracking, shivering,
shedding earth and worms
silver spoons and knives caught
in root joints, a squirrel skull
the little animals killed
and lied about
a velvet speculum
old wooden machines, still grinding underwater
the blue ribbons
our mother stole and tied to twigs
outside her abbey
in the heat,
our hair rises like wings
a doll's table
set with glitter and flames,
turning, dipping
your ivory handcuffs, scrimmed
with our mother's lost recipes
silk surgeon's scrubs
cinnamon scalpel
built for our bodies
Friday, May 09, 2008
Sunday, May 04, 2008
The Dance
alone on stage
except for the music,
a man in the shape of a boat,
in the shape of lava rippling
down the mountain, slow, lardish,
white as regret, we watch
because it's weird, because it's
nothing we've ever seen before
except maybe in medical textbooks
a handful of walnuts in each portion
of drooping skin, in each flap like
the flaps of a shark's gills, a whale's
gills, and he's a white whale of man
thighs, calves swollen into the shape
of rough buckets, the texture of lard,
the color of lard, the lard kept
next to the kitchen sink in a rusty coffee
can, lard spooned out to fry chicken, steak,
then scraped back into the coffee can after
the lard has hardened into its soft white
shape, dunes of it slapped against the side
of the pan like sand dunes, like it was built
by waves beating against the force of it,
the heft of it, and the flaps hanging
off the fat man ripple in waves,
and then he stops dancing and he picks
his dress up off the floor, and it's enormous,
the biggest one we've ever seen, green
as the earth in paintings, as the noon sky before
a storm, and he's fitting it over
his enormous arms, and he pulls it
down over his shoulders bulging
with soft fistfuls of fat, and the hem
falls softly like a sigh to his ankles,
and we see it has sparkles everywhere,
it's like the fucking stars on fire
alone on stage
except for the music,
a man in the shape of a boat,
in the shape of lava rippling
down the mountain, slow, lardish,
white as regret, we watch
because it's weird, because it's
nothing we've ever seen before
except maybe in medical textbooks
a handful of walnuts in each portion
of drooping skin, in each flap like
the flaps of a shark's gills, a whale's
gills, and he's a white whale of man
thighs, calves swollen into the shape
of rough buckets, the texture of lard,
the color of lard, the lard kept
next to the kitchen sink in a rusty coffee
can, lard spooned out to fry chicken, steak,
then scraped back into the coffee can after
the lard has hardened into its soft white
shape, dunes of it slapped against the side
of the pan like sand dunes, like it was built
by waves beating against the force of it,
the heft of it, and the flaps hanging
off the fat man ripple in waves,
and then he stops dancing and he picks
his dress up off the floor, and it's enormous,
the biggest one we've ever seen, green
as the earth in paintings, as the noon sky before
a storm, and he's fitting it over
his enormous arms, and he pulls it
down over his shoulders bulging
with soft fistfuls of fat, and the hem
falls softly like a sigh to his ankles,
and we see it has sparkles everywhere,
it's like the fucking stars on fire
Saturday, May 03, 2008
Today I went jogging again and I still ache from it but I had the entirely joyful experience of reaching the nearby sculpture garden when I ran and seeing some really hot artists (I'm sorry, they were good-looking, I can't help it) work on finishing their sculptures for the big opening this weekend. One particularly GQ looking guy with a goofy grin was packing the earth around his wooden structure, which was kind of like a smashed house, and a mocking bird perched directly above him and sang all the songs of all the other birds. I tried to get closer to hear better but the bird flew away. However, as I left the park, the bird followed me and perched on a telephone pole and started the whole cycle of songs again, and even included the noises of crickets, which was quite cool, as I haven't heard a bird do that before.
Also, I heard Philip Levine read. His work was ab -fab. I didn't think I liked him before, but I definitely do now. I got to see him because my lovely friend Whitney with the beautiful hair that falls in her eyes got an invitation and invited me. We agreed that Philip was wonderful but disagreed about the fiction writer, who will go unnamed but who makes boring female characters with no real emotions.
One of the most interesting things about the reading was that the audience was comprised almost entirely of aliens -- excepting myself and my friend. They were older white people, the likes of which I had never seen before. They were all dressed the same, they all had the same body language, and I'm sure they were all semi-famous writers who were quite satisfied with themselves and their lovely work about men and women who are just too numb to feel, dammit, and who display their inability to feel in silence and thoughts about the light or street in front of their houses. They were frumpy in a rich way, and occasionally exchanged piercing looks. They moved slowly but significantly.
I think I will never end up that way, but I might end up in a roomful of "them" someday.
Also, I heard Philip Levine read. His work was ab -fab. I didn't think I liked him before, but I definitely do now. I got to see him because my lovely friend Whitney with the beautiful hair that falls in her eyes got an invitation and invited me. We agreed that Philip was wonderful but disagreed about the fiction writer, who will go unnamed but who makes boring female characters with no real emotions.
One of the most interesting things about the reading was that the audience was comprised almost entirely of aliens -- excepting myself and my friend. They were older white people, the likes of which I had never seen before. They were all dressed the same, they all had the same body language, and I'm sure they were all semi-famous writers who were quite satisfied with themselves and their lovely work about men and women who are just too numb to feel, dammit, and who display their inability to feel in silence and thoughts about the light or street in front of their houses. They were frumpy in a rich way, and occasionally exchanged piercing looks. They moved slowly but significantly.
I think I will never end up that way, but I might end up in a roomful of "them" someday.
Thursday, May 01, 2008
Driving with the Top Down
You're touching my waist, my hips, but it's not you,
it's the guy who looks like you and we're climbing
the stairs between rooms of warm pink light, complicated
wallpaper and soft, soft gray couches. One of my
friends -- the long-haired one with hand tattoos --
is trying to teach us guitar, but we can only watch
each other's lips and tongues. Your words have a
feel, they feel like felt or a wool skirt and everything
is just a little too hot so I take off my skirt and I'm
wearing my knee socks pulled all the way
up and some high-heeled boots which catch on
the rug while we leave the noisy warm room with
its guitar music and lacy pink drapes, but you catch
my hand, you grab me by the elbow and haul me
up and you say, next time, I'm driving.
You're touching my waist, my hips, but it's not you,
it's the guy who looks like you and we're climbing
the stairs between rooms of warm pink light, complicated
wallpaper and soft, soft gray couches. One of my
friends -- the long-haired one with hand tattoos --
is trying to teach us guitar, but we can only watch
each other's lips and tongues. Your words have a
feel, they feel like felt or a wool skirt and everything
is just a little too hot so I take off my skirt and I'm
wearing my knee socks pulled all the way
up and some high-heeled boots which catch on
the rug while we leave the noisy warm room with
its guitar music and lacy pink drapes, but you catch
my hand, you grab me by the elbow and haul me
up and you say, next time, I'm driving.
Subscribe to:
Posts (Atom)