I know you are all very disappointed in me, and probably don't even look at this space anymore, except casually, out of habit, and then only for a few seconds. But I've been BUSY -- hip-deep in papers for grad school. Now I am only knee deep. Here's a poem.
The Aggressive Squirrels of Roosevelt Island
we wear special lenses to see what lurks underneath the oak leaves
we have pulled our hair back tightly with leather bands -- they can nest anywhere
we are here to capture the reason
we have tweezers, chloroform
glass jars the size of a head
a gold pen for notation
a green one for classification
we watch our ankles
we keep our bags closed at all times
we do not sit underneath the inviting trees to rest
we use hip waders or heavy rubber boots and socks infused
with a tincture of iodine
we do not touch peanut butter for at least a week before entering the island
at dusk, we try to remember Sheila, who was
dragged down a hole
we plunge forward, keeping our purpose always foremost in our minds
when in doubt, we jump into the river
we remember, as we sink, that the tails only look soft
and if they pause to lift an offering from our palm
the gentle brush of their tiny nails only lasts for a moment
we convince ourselves that moment is not sweet
without hesitation they will gnaw us anew
fill our skull with walnuts
toss our toe bones back and forth with their teeth
their infants are the size of our thumbs and not quite as soft
as our down comforter on the other island, the one we’re starting to forget
we have left behind our candy, our lavender deoderant
and the ones too weak too run
according to our guide books, one bite does not cause much scarring
we are not much afraid
we have practiced by running short distances very fast
Wednesday, December 27, 2006
Saturday, December 16, 2006
if you would like to know about the movie
I did
come in late
but it seemed like I missed the ending
instead of the beginning
there was no clear hero
but there was a man fixing his car
he was by the side of the road
in a desert-like place (New Mexico)
when I went to get popcorn
he ended up by the beach on a bicycle
the love interest was a either a dog
or a girl they both had the same
color hair and wore a dark necklace
sometimes she would walk across
the screen and the man wouldn’t
look up but she might have
been the angry girl sitting in the front row
I’m pretty sure the dog was a lab
we saw many shots of him sleeping
in the back seat of the car
since it was so hot his tongue hung out
once he appeared to be barking at the waves
but no sound came out of his
mouth
the man fixing his car wore heavy gloves
and had a smudge of grease along
one cheek
sometimes he would look up
at the sun and wipe his wet bangs
from his forehead with the back of his wrist
when this happened a guitar would play
Friday, December 08, 2006
Still Life With Dark Cloud
I am so sad. There is a big mound of sad right here in the middle of the room, on top of my pile of collapsing cardboard furniture. It's a big heaping smelly bunch of sad. Every five minutes it whirls around a bit, shifts colors, and gets bigger. Soon there won't be any room for me in this room of sad. Every time the sad gets bigger, it gets heavier. The floor is starting to creak. It's an old, worn out plastic floor, not meant for more than two people to stand on at the same time. This sad is bigger than the both of us. When the floor breaks, it will take me down with it, into the sad. Some people say the sad is dark and black, but it's really grey with flashes of pink and green. When it puffs itself up, you can see many things inside. The things look like they're fun -- there's laughing and poking and painting of cheeks with butterflies -- but they're really quite, quite sad. As it emanates the odor of spilled perfume and old wet towels, the sad pulls me in. It has a magnetic force, it leaves dusty black tracks, it makes me sneeze. It's an armless ventriloquist and a rusty cotton-candy machine. It's popcorn dropped in the grass and stepped on. It's a pair leather ballet shoes soaking in a tub of scummed up rainwater. It's paralyzed lips with the will to kiss. It's teeth falling out when you bite into chocolate cake. It's tripping in front of a bus and getting only half run over. It's the dream of being in your underwear in front of your modern history class and waking up to realize that your class was over years ago and you missed the final. You failed, you never went back. You never bothered until it was too late.
I am so sad. There is a big mound of sad right here in the middle of the room, on top of my pile of collapsing cardboard furniture. It's a big heaping smelly bunch of sad. Every five minutes it whirls around a bit, shifts colors, and gets bigger. Soon there won't be any room for me in this room of sad. Every time the sad gets bigger, it gets heavier. The floor is starting to creak. It's an old, worn out plastic floor, not meant for more than two people to stand on at the same time. This sad is bigger than the both of us. When the floor breaks, it will take me down with it, into the sad. Some people say the sad is dark and black, but it's really grey with flashes of pink and green. When it puffs itself up, you can see many things inside. The things look like they're fun -- there's laughing and poking and painting of cheeks with butterflies -- but they're really quite, quite sad. As it emanates the odor of spilled perfume and old wet towels, the sad pulls me in. It has a magnetic force, it leaves dusty black tracks, it makes me sneeze. It's an armless ventriloquist and a rusty cotton-candy machine. It's popcorn dropped in the grass and stepped on. It's a pair leather ballet shoes soaking in a tub of scummed up rainwater. It's paralyzed lips with the will to kiss. It's teeth falling out when you bite into chocolate cake. It's tripping in front of a bus and getting only half run over. It's the dream of being in your underwear in front of your modern history class and waking up to realize that your class was over years ago and you missed the final. You failed, you never went back. You never bothered until it was too late.
Thursday, December 07, 2006
Trying to work on some film related poems:
Ode to Mia
For Mia Kirshner
your long dark hair
with waves glinting
like broken glass embedded in a knee
you always play the crazy ones
you are short childlike
you bought coffee once standing in line
ahead of me
your skin was bad you didn’t look around much
perhaps you noticed I was staring
this was before the crow
when you are a lesbian you are mean
often you wear corsets eye shadow
and are sacrificed
your eyes change color but they always
remind me of a wolf or something
swimming very fast underwater
your neck is so long ethereal
yellow seems made for
knives or hands
sometimes you fall in love
with a bird
sometimes you beg sometimes you
refuse to beg
we want to toss you towards the sky
catch you as your hair flares out
a dark exclamation
you wear a schoolgirl’s uniform
you strip it off men try to
touch places they shouldn’t
women try to part your thighs
sometimes you draw on your
breasts with magic marker
sometimes you are the victim
and they don’t find you
until much too late
--------------
Comments are appreciated, y'all.
Ode to Mia
For Mia Kirshner
your long dark hair
with waves glinting
like broken glass embedded in a knee
you always play the crazy ones
you are short childlike
you bought coffee once standing in line
ahead of me
your skin was bad you didn’t look around much
perhaps you noticed I was staring
this was before the crow
when you are a lesbian you are mean
often you wear corsets eye shadow
and are sacrificed
your eyes change color but they always
remind me of a wolf or something
swimming very fast underwater
your neck is so long ethereal
yellow seems made for
knives or hands
sometimes you fall in love
with a bird
sometimes you beg sometimes you
refuse to beg
we want to toss you towards the sky
catch you as your hair flares out
a dark exclamation
you wear a schoolgirl’s uniform
you strip it off men try to
touch places they shouldn’t
women try to part your thighs
sometimes you draw on your
breasts with magic marker
sometimes you are the victim
and they don’t find you
until much too late
--------------
Comments are appreciated, y'all.
Saturday, December 02, 2006
awk! I feel so awful when I'm too busy to write. So I made some time. Right here: time!
Trouble with Meat
bella spends two hours at the dinner table
chewing, chewing
…….--- it won’t go down
…….-- a beige paste
she can’t swallow …….-- she can
…… feel tendons …… strings …… rubber cement
…….-- inside it
when her mother looks at her own empty plate
and sighs
…….----- bella takes thumb and forefinger
pull out the mass ……- soft as flesh ……. pink and brown
…….-- it might have tentacles
…….------- the texture like cardboard and sand paper
her mother won’t
……. leave her chair…….-- till bella's through
she doesn’t…….-- understand
…….-- i can’t
bella hears her friends outside
Lisa and Gordie discussing a new style of four square
…….----- then the red ball bounces……. with that hollow
…….-------appetizing ping
Trouble with Meat
bella spends two hours at the dinner table
chewing, chewing
…….--- it won’t go down
…….-- a beige paste
she can’t swallow …….-- she can
…… feel tendons …… strings …… rubber cement
…….-- inside it
when her mother looks at her own empty plate
and sighs
…….----- bella takes thumb and forefinger
pull out the mass ……- soft as flesh ……. pink and brown
…….-- it might have tentacles
…….------- the texture like cardboard and sand paper
her mother won’t
……. leave her chair…….-- till bella's through
she doesn’t…….-- understand
…….-- i can’t
her own meatloaf …….-- limp asparagus
limpid pool of butter …….-- finished
as fast as she could shovel
her eyes on bella …….-- bright …….-- foreign
like some strange plant
bella hears her friends outside
Lisa and Gordie discussing a new style of four square
…….----- then the red ball bounces……. with that hollow
…….-------appetizing ping
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